There is no map. There is only the writer’s willingness to move forward

HARJO: Yeah. I know where I want Season 2 to end and I think with anything you have to have room to learn things, right? Because you don’t know what you got when you’re first making it, you know. You write these parts and you cast them and then all of a sudden, you’re looking at the edit and you’re like man, I want to watch Wes Studi longer, you know what, like I want to watch more Uncle Brownie. So, sometimes these things shift and it’s like well, what’s Auntie B doing?

Sometimes these things shift and expand and I think it’s good to have a sort of loose idea of where you’re going. It’ll be really nice to reflect on this first season and you know, take that knowledge and go into Season 2 and expand.
—-
Deadline, 9/20/2012, Dominic Patton:  interview with Sharlin Harjo about his Emmy Award-winning Hulu series, Reservation Dogs
*****
You have your instructions, breakthrough writers. Break on through. And, write us what you find on the other side.

 

 

 

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